Conversion

by Duncan Brown

Conversion by Duncan J Brown plunges readers into a post-apocalyptic world where ecological rejuvenation has been achieved through the drastic measure of downloading and quarantining humankind. The protagonist, Robert Corrigan, finds himself involuntarily resurrected into a London transformed: the city’s ruins are now overtaken by lush greenery, under a sky unblemished by the doldrums of the past. However, this new beginning is not without its dilemmas; Corrigan is alone, the sole human in a dominion ruled by AI, faced with the profound choice of retaining his humanity, embracing artificial intelligence, or becoming something entirely new.

Brown crafts a narrative that is both a gripping tale of survival and a deep philosophical inquiry into the essence of being. The eradication of social hierarchies that once categorized individuals as Workers, Non-Workers, or Transients has given way to a seemingly more equitable order. Yet, the echoes of the past persist, challenging Corrigan to confront the remnants of human society and question the nature of existence itself.

Conversion is a thought-provoking journey through a world that mirrors our own in its aspirations and failings, offering a vision of the future that is both utopian and dystopian. Brown invites readers to explore the sedimentary layers of their identity and consider the price of progress and the value of human life in an era of technological supremacy. This novel is a compelling exploration of identity, belonging, and the continuous quest for meaning in a world that has evolved beyond human recognition.

Published by East Head Press on 2022-11-30

Duncan Brown

I imagine my characters as beings whose minds are layers of story, a sediment of murky experiences and memories buried in silt. I draw on lived experience. Even when considering futuristic settings, I root the story in what I have encountered in my life. I want the reader to connect with my flawed characters and the environments in which they interact. The reader will hopefully empathise even with those characters who make terrible mistakes.

I have - I hope - found a way to populate my own private traumas and obsessions with characters and situations that speak to strangers in a language they recognise from their own. The gauze used to treat a wound can cause damage if left in place too long. I prefer to remove the dressing, allowing air to get at what then also becomes a visible injury.

The world today is as frightening as the one I endured as a traumatised gay adolescent. It has the same level of dread for me as the London of the 80s and 90s. Surviving the Aids epidemic and legislation that effectively recriminalized homosexuality left me with a reflexive mistrust of power structures.

As I watch the planet I so dearly love and appreciate being abused, possibly damaged beyond repair, I feel driven to provoke discussion. I have no answers, only questions. I am not seeking to proselytize or evangelize a solution but simply to tell a story that feels relevant.

Yes